Behind the lens with Dennis Radermacher

Dennis Radermacher: A journey it was indeed. Photography was always a passion of mine that I turned into a career in 2015. As a landscape photographer the world of architecture seemed like a related field. With the Christchurch rebuild kicking into high gear, the stars aligned and it was one of the best choices in my life.

DR: One project that stands out is Auckland War Memorial Museum. The museum is an integral part of New Zealand’s culture and history, and it gave me a warm, fuzzy feeling when my client asked me to capture it for them. 

Outside specific buildings, I take great joy in capturing schools. The exuberant energy in schools is always a delight to photograph. I still remember how much the chaos of capturing my first primary school intimated me – now it is a special treat.

DR: The same way I notice a nice composition. Call it a little tingle of excitement in my brain.

DR: All projects are created equal. In saying that, large civic and commercial spaces are probably what I’m best known for. At the end of the day, the ‘kick’ comes from exploring a beautifully designed space, getting lucky with the weather, and crafting beautiful work. That can take place in a tiny cabin in the backcountry or in a city-block sized commercial building.

DR: Let's reverse rolls – if I was in the market for a photographer, I would be looking at two things: the work and the personality. Photographers have their unique styles, and it should be a gut decision whether a given style clicks with a client. The photographer’s personality is of equal importance. Clients are trusting the fruit of their labour to a photographer whose work will represent their project for years to come. 

Personally, I would find it extremely important to ‘click’ with my photographer. To give an example, preparing a project can be quite involved. Working with someone who is easy to get along with and accommodating can make the difference between enjoying the process or dreading it.

People sometimes make well-intended assumptions about photography that can get in the way of results. Just put your concerns aside and have a chat with your photographer. We do not bite!

DR: Working flexibly with good people is the best part of my job. I have been lucky to collaborate with amazingly gifted people for many years. Their kindness and patience has been key to my ability to deliver good work. 

There is a point in most projects when well-considered plans collide with the reality of site access and weather struggles. Having the ability to respond to these challenges creates a mindset that slots nicely into my personal life. The flip side of my flexible approach to projects is that I give myself the odd afternoon off to go on a bike ride. 

DR: I have been capturing various aspects of Te Pae, Christchurch’s exciting new convention centre, for the last half-year. With only a few more visits to come, this amazing project should wrap up soon. 

I’m also on the verge of a very personal foray into architecture – my first own home designed by the amazing Ben Brady of Linetype Architectural. I wish it was happening under better logistical circumstances, but such are life’s challenges. Dear reader, keep your finger crossed for abundant supplies!

Explore Dennis' work at Lightforge Photography.